Publications/Writings

Editor of books and publications:

Negotiating News Spaces for Contemporary Art and Histories in Africa, edited by Berit Fischer, Kerstin Pinther, Ugochukwu-Smooth Nzewi, Summer 2015, LIT Verlag, 226 pages, in series: Kunst und Visuelle Kulturen Afrikas. African Art and Visual Cultures. Arts et cultures visuelles d’Afrique, Vol. 2

Revolution Without Movement Newspaper, edited by Berit Fischer, Tranzit.sk and Galéria Hit, 2014

[hlysnan] The Notion and Politics of Listening, edited by Berit Fischer, Casino Luxembourg Forum d’Art Contemporain Publications, Spring 2014, 164 pages

Other Possible Worlds – Proposals on this Side of Utopia, edited by Dorothee Albrecht, Berit Fischer, Franziska Lesák, Moira Zoitl, Argobooks, 2011, 191 pages

City Beats, Exhibition booklet, Dorsky Gallery Curatorial Programs Publication, New York, 2009

Articles:

Towards  Collective Thriving: Mutual Aid, Responsibility and Trust, A conversation between carla bergman, Berit Fischer and Nick Montgomery, in: Free Berlin , Issue #7, pp. 14-19. 

Listening = Resonance = Inter-relationality = Care, On the Notion and Politics of Listening,
excerpt of the essay “On the Notions and Politics of Listening”, originally published in: [hlysnan] The Notion and Politics of Listening, Berit Fischer (ed.). Luxembourg: Casino Luxembourg – Forum d’art contemporain, 2014, pp. 9–18, for: Making Futures School, 2019

The Xeno-Episteme and Post Otherness, in: We Are The Market! The Commercial City Centre as the Financial Commonplace, Lomme, Freek (ed.), Onomatopee 142, Eindhoven, Netherlands, 2018, P.47-55

The Xeno-Episteme and Post Otherness, in: We Are The Market! Newspaper, 142, Onomatopee Eindhoven, Netherlands, 2017 [downloadable]

Thoughts on Mapping Decentralized Knowledge Production: The Plurality of Imagined Worlds, in: New Spaces for Negotiating Art (and) Histories in Africa, Kerstin Pinther, Berit Fischer, Ugochukwu-Smooth C. Nzewi (Eds.), LIT Verlag, 2015, in series: Kunst und Visuelle Kulturen Afrikas. African Art and Visual Cultures. Arts et cultures visuelles d’Afrique, Vol. 2, 2015

Building Social Sculptures, A conversation between Berit Fischer and Meskerem Assegued, in: New Spaces for Negotiating Art (and) Histories in Africa, Kerstin Pinther, Berit Fischer, Ugochukwu-Smooth C. Nzewi (Eds.), LIT Verlag, 2015, in series: Kunst und Visuelle Kulturen Afrikas. African Art and Visual Cultures. Arts et cultures visuelles d’Afrique, Vol. 2, 2015

On the Notion and Politics of Listening, in: Love Sounds, Masha Tupitsyn (ed.), Penny-Ante Editions, Success and Failure Series, PA-020, 2015

On the Notions and Politics of Listening, in: [hlysnan] The Notion and Politics of Listening, Berit Fischer (ed.). Luxembourg: Casino Luxembourg – Forum d’art contemporain, 2014, pp. 9–18 [downloadable]

Invisible More Visible More Invisible, Berit Fischer in conversation with Marco Godinho, Casino Luxembourg Forum d’Art Contemporain Publications, 2013

Räume für eine neue Lebenskultur, Marjetica Potrč im Gespräch mit Berit Fischer, in: Weil Design die Welt verändert…,Texte zur Gestaltung, Friedrich von Borries & Jesko Fezer (Ed.), Gestalten, 2013

The Potential of Imagination – On the Work of Jennifer Bornstein, BE Magazin #19, Berlin, 2012

Spaces for a new Culture of Living, Berit Fischer in conversation with Marjetica Potrč, Afterall Online, June 2012

The Revolution Will Not Be Televised – On Becoming Multitude, in: Other Possible Worlds – Proposals on this Side of Utopia, edited by Dorothee Albrecht, Berit Fischer, Franziska Lesák, Moira Zoitl, Argobooks, 2011, pp. 26-31

Silence is, when no one is listening, for: Music While You Work, Exhibition, Hong-Kai Wang, Casino Luxembourg Publications, 2010

City Beats, in exhibition brochure, Dorsky Gallery Curatorial Programs Publication, 2009

Whose Dream is it Anyway?, Berit Fischer and Eszter Lázár, in: Time at Work, CECAC, Corso Europeo per Curatori di Arte Contemporanea, Visiting Prof.: Charles Esche, Visiting Artist: Nedko Solakov, Postmedia Books, 2009, pp.131-139

Intrude Art, Shanghai Zendai Museum of Modern Art, Issue 05, 2008, p.26